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Board?

1/22/2014

10 Comments

 
So, as anyone who knows me is aware, BeMuse has been quite a painful process, so far. Oddly enough, the unrestricted freedom of 3D middleware has caused more churn than I had ever expected. When you are told you can do pretty much anything, your sheet of blank paper expands enormously, and it's easy to get off track.

As such, in an effort to refocus more clearly on the game's core, and ensure that the major ruleset, themes and elements don't flipflop like they did at the end of last year, I created a little BeMuse-themed board game. 
Picture
It is a single-player game designed to be played in short bursts, and revolves around finding the ritual elements necessary to banish a single Demon in a four day period. Night is more dangerous than day, as Ghosts wander around the environments draining your life if you end a turn on one of their locations.

During the game, the main Demon 'Stirs' (i.e. kind of tosses and turns in his sleep), which causes a whole heap of unpleasant effects in the world.

The good news is that it plays pretty well, and definitely helped me get back to the core of what this game is. As a result, we're going to go through a period where BeMuse looks a bit uglier for a while, as I strip everything back and ensure the core game is working well rather than messing about with shaders at the same time as bringing every single feature in at the same time.

This brings me to another point.

Experiential vs. Rule-based games

Since my earlier post about 'The Zone of Meh', I came to a realisation that the reason a lot of art-games get away with so little actual content is because they are nearly 'experiential'. By that, I mean that their value comes from the sense of immersion in their artistic world rather than any other aspect... and thus nearly every other aspect is unnecessary. Journey, Proteus, Gone Home, Dear Esther... all largely free of 'content', but filled with atmosphere and a sense of place.

Of course, one can argue that nearly all games are experiential as well rule-based. This is true, but not exactly what I'm getting at. For me, I define these terms by answering the question 'where does this game get its appeal?' If the answer is stats-building, or improving skill, or any other mechanical play device, I'd argue it's moving away from Experiential.

Fez is a rare outlier here, as - once you've moved past the whole '2D/3D' gameplay novelty, you realise that it was largely devised as an experiential game (and it starts to feel more like Knytt -  a game I have loved for years). It is a pleasure just to 'be' in its world.

So What?

All this pseudo-academic musing is very relevant to BeMuse, and what I release about the game as it moves on. BeMuse is supposed to be a largely experiential game, but with a ritual-game-play heart. That means I have to be a bit more careful about what I put out there because crappy, unfinished visuals can horribly diminish the sense of mystery, threat and cosiness. I'd hate that to happen.

As ever, thanks for your patience, folks.
10 Comments
Twitterless
1/22/2014 11:06:15 pm

Yay!

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Twitterless
1/22/2014 11:10:06 pm

But are you closer to an alpha or beta release?

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Dene link
1/23/2014 02:48:53 am

Further, but with more confidence that I'm moving in the right direction. If anyone wants more details in a slightly less public forum, feel free to email me via the site's contact form.

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Hannah link
1/27/2014 11:01:40 am

I was just about to harass you about making a blog update.

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Twit
2/4/2014 10:44:19 am

Have you thought about doing a Kickstarter?

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Dene
2/5/2014 01:14:11 am

I have, but it needs a few wrinkles sorted out first. At present, the game is really tense on the last day (everyone seems to win at the 11th hour!) but the early game drags, as people are too afraid to use their stuff, and thus 'hoard'. This is a fairly dull, yet very RPG-ish problem.

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Twit
2/7/2014 10:55:31 am

Wait, how do you know this if you haven't released the game in any version?

Twit
2/7/2014 11:00:27 am

Because is doesn't seem like a board game could quite capture the essence of the videogame, which you said doesn't have an ending

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Dene Carter
2/7/2014 11:12:32 am

The board game has helped me figure out what the first release should consist of, which elements of the game are core, and how to stick to the promises I made myself right at the start.

You are correct in that the board game does not feature the full ritual generation portion of the main game (too complex and would require a second player to tell you when you'd done it correctly), but it does help establish the framework. And, yes, I'm trying to ensure the game is endless - the board game helped sort that out, too (most boardgames would be endless if they had a story arc-reason for replay).

Overall, it's been a very useful exercise and one I'd repeat again. This game has been very difficult for me to get my head around, and this slight tangent was necessary.

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Cooper B link
4/15/2021 06:35:51 pm

Good blog ppost

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    Author

    Fluttermind’s director, Dene Carter, is a games industry veteran of over 25 years, and co-founder of Big Blue Box Studios, creators of the Fable franchise for the XBox and XBox 360.

    Dene takes great pride in doing every aspect of game-creation entirely by himself. Nobody knows why.

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